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At the end of the movie Santa Claus Seattle Mariners MLB Christmas 2022 shirt . with Gorr defeated and Jane Foster going to Valhalla after her death, Thor decided to adopt Love as his own daughter. Love and Thunder ended with a shot of Thor and Love heading towards a battle, a tease of what’s to come for the pair’s MCU future: RSP revealed more details about the final scene, sharing that Thor and his adopted daughter traveled to the planet to save a village of garfish from a certain “P-Rex.” Compositing Supervisor Francesco Cadoni noted that the scene involved “full and partial digital doubles” combined with AI-enhanced faces: “It was another tour de force effort from our 2D, 3D and matte painting artists. The scene combines crowds, environments, effects simulations and lightning. It also involves full and partial digital doubles with AI-enhanced faces to work with various effects elements.”
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Gorr’s origin story in Thor: Love and Thunder was a memorable sequence since it effectively showed the character’s heel turn while also justifying his motivation for doing so Santa Claus Seattle Mariners MLB Christmas 2022 shirt . That said, the complexities behind the CGI-heavy opening scene that was revealed above proved the immense detail and extensive work that was needed in order to pull off such a sequence. While openly criticizing any aspect of the movie is valid, this latest Thor 4 breakdown should at least lessen the blow, considering the extensive work that was done to craft stunning sequences. From analyzing the tiniest details to making creative decisions such as Rapu’s design, it’s clear that the VFX artists’ work shouldn’t be invalidated. Instead, external factors such as the pandemic and the riff involving the VFX industry could be the culprit. Many would agree that it’s unfair that the brunt of the criticism is directed toward the VFX artists. In a way, these kinds of breakdowns serve as compelling overviews of the visual artists’ hard work in such big-budget movies, and this should be viewed more closely amid the ongoing issue between Marvel and the VFX community.